Late Light

Cabra Monte, El Torcal, AndaluciaMark Goodwin‘s new collection Steps (launched at The Fat Cat, Sheffield, earlier in December with readings from Goodwin and Angelina Ayers) is featured in this month’s Journal of Wild Culture, with the text and audio versions of the poem ‘Forced Moment at El Torcal, Andalucía’ framed by images of the karst landscape in which it is set. Click here to read and listen to the poem. Peter Boughton’s review of Steps for Minor Literature[s] considers the ‘tightrope’ on which the poems are balanced, ‘poems as much concerned with phenomenology, the movement of the mind, as any physical journeying’. You can read the review here. The development of Steps is recounted in a new Longbarrow Press audio interview, which also finds Goodwin revisiting the landscapes (and soundscapes) mapped in the book (and its accompanying CD). Listen to the podcast below:


We’ve also created a short film trailer to mark the publication of Steps:

Steps was one of many highlights in a very active, wide-ranging year for Longbarrow Press. Here’s a summary of the events, projects and publications that made 2014:

Mary's IMG_3866#1  March.  Fay Musselwhite leads Contra Flow, a walk through Sheffield’s Rivelin Valley, reading poems from The Footing with new work that deepens her engagement with this territory. Her account of the journey through the valley, shaped by the ‘ancient shifts, flows and drops’ of its eponymous river, appears here.
#2  April.  Poems, Places & Soundscapes, an exhibition of digitally produced sound-&-poetry, is installed in Leicester’s Cube Gallery. Mark Goodwin and Brian Lewis present a range of vivid, immersive sound-enhanced poetry and a selection of ‘place-entranced’ film-poems. Click here for more information about the exhibition.
#3  May.  Matthew Clegg returns to the East Leeds suburb of Crossgates for the third and final West North East audio podcast. Clegg’s unique perspective on the area’s ‘arrivals and departures’ frames his readings of three poems that reference its fields, estates and factories. Listen to the podcast below:

p1000224#4  June.  Paul Evans and Brian Lewis co-curate the inaugural Laugharne Castle Poetry and Film Festival, including screenings of Longbarrow Press short films and commissioned films by artists Emma Bolland, Alastair Cook, Hondartza Fraga, Gemma Green-Hope and Jean McEwan & Brian McEwan. Angelina AyersAseptic Technique was among the Longbarrow films to premiere at the festival:


#5  June.  Longbarrow Press devises two special performances for the Midsummer Poetry Festival at Sheffield’s Bank Street Arts: Matthew Clegg’s Chinese Lanterns, a ritualised (re)arrangement of poems from West North East (aided and abetted by poet Andrew Hirst), and Pilgrimage: a walk through The Footing, in which Angelina Ayers, James Caruth, Mark Goodwin, Rob Hindle, Andrew Hirst, Chris Jones and Fay Musselwhite explore the relationship between memory and memorial in our walking-themed anthology. Click here to listen to recordings from Pilgrimage. A short film of Chinese Lanterns appears below:

#6  July.  Two new posts on the Longbarrow Blog focus on the making (and remaking) of poetry anthologies. In ‘The pace of The Footing‘, Brian Lewis discusses the roles of craft and collaboration throughout the five-year development of the book. Chris Jones considers the fate of ‘landmark’ poetry anthologies in ‘The New, New, New Poetry: A Consumer’s Guide’; click here to read his survey of the changing ‘state of play’ in the UK poetry landscape.
Ascent of Kinder#7  August.  Longbarrow Press publishes The Ascent of Kinder Scout, Peter Riley’s pamphlet-length meditation on (and elegy for) this physical and cultural landmark of the Peak District. The front and back covers feature two remarkable paintings of Kinder Downfall by Paul Evans. Voted Best Poetry Pamphlet of 2014 by the London Review Bookshop.
IMG_1398#8  September.  Poet Chris Jones, artist/writer Emma Bolland and editor/publisher Brian Lewis visit three churches in Nottinghamshire and Lincolnshire to record three podcasts based on Chris’s Reformation-era sequence ‘Death and the Gallant’ (featured in The Footing). Each of the podcasts is accompanied by a short essay on the Longbarrow Blog (‘The Dance of Death‘, ‘The Last Judgement‘, ‘The Shepherds of Corby Glen‘ ); the essays are illustrated with Emma Bolland’s photographs from the church visits.
#9  October.  Longbarrow Press returns to The Shakespeare, Sheffield, for The Shattered Stars, an event focused around two poetry sequences by Chris Jones, with projected visuals by Paul Evans, sound design by Brian Lewis, and live music from Emma Bolland.
Steps cover#10  November.  Mark Goodwin‘s long-awaited collection Steps appears in hardback, the culmination of several years’ writing and journeying by the poet and several months’ creative collaboration with the editor. Steps is launched at The Fat Cat, Sheffield, with readings from Goodwin and Angelina Ayers, each of which explores ideas of commitment, exposure and risk.

We end the year with two winter journeys: Fay Musselwhite‘s ‘Impasse’, a vision of a ‘hoar-coated’ Rivelin Valley that first appeared in The Footing and which we now revisit as our current Featured Poem; and Matthew Clegg‘s ‘The Last Workday Before Christmas’ (from West North East), in which temporal and emotional distances expand and collapse in the commute from city to suburb.

Our sincere thanks to everyone who has supported the press over the last 12 months; we return in 2015 with a new series of projects, publications and events, including new hardback collections by Matthew Clegg and Chris Jones and a new audio commission for Leeds Art Gallery. Further details will be posted in the new year.

 

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2 Responses to Late Light

  1. Very proud of Longbarrow (and Brian, and all the poets and artists that contribute to the press). I may well be biased, but one of the great things about hooking up with Brian is seeing the fantastic hard work, commitment, belief in the vision & quality of the output, generosity to the poets & the readers & buyers and sheer bloody mindedness that he puts in to keeping this fantastic press not just going, but growing into something amazing. Longbarrow has no public funding to prop it up, unlike so many of the other poetry presses (even the bigger ones out there). Brian walks everywhere, keeps the heating turned off or low, never spends money on himself and regularly works 12 hour+ days so that Longbarrow can continue. It’s a privilege to be by his side. Long live Longbarrow & all who sail in her.

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