Gone Ground

Longbarrow Press concludes its fourteenth year of activity with a review of the events, projects and publications of 2019:

The wind with nothing.
The stone’s directions.

#1  January.  The year opens with the publication and Sheffield launch of Rock as Gloss, Mark Goodwin‘s sixth full-length collection, and his second with Longbarrow Press. Comprising both poems and fictions, Rock as Gloss is a category finalist for the 2019 Banff Mountain Book Competition, and is named as a ‘book of the year’ by Rob Greenwood on the UK Climbing site (‘a collection as varied as the rock within the British Isles’). The book’s themes of movement and stillness are amplified by a digital release of ‘sound-enhanced’ and field recordings, which you can listen to here.

writing along an invisible
line whose end is infinite

#2  February.  Nancy Gaffield‘s book-length poem Meridian is published by Longbarrow Press, with a launch in Canterbury. Drawing on her walks from Peacehaven (where the Greenwich Meridian crosses the English south coast) to Sand le Mere (where it exits the erosive East Yorkshire cliffs), it is acclaimed by Katrina Naomi as ‘a charged meditation … lyrical, political and nuanced’, and by Billy Mills as ‘a poem that mourns the passing of the world it is travelling through’.

#3  February – October.  Longbarrow Press sets out its stall at a series of independent book fairs around the UK, including festivals in Leeds, Leicester, Manchester and Sheffield. Thanks to the event organisers, and to everyone who visited our stall.

#4  March.  ‘I want the shape of the poem to be determined by the rhythm of walking—the measure of the step to shore up the measure of the line…’ On the Longbarrow Blog, Nancy Gaffield discusses the walking and writing of Meridian in ‘The First Cut’, and considers the origins and sources of the poem. A companion essay, ‘The Last Step’, looks back at the resulting work, the methods of ’embodied research’ that informed its development, and the range of forms (‘the epistolary poem, the acrostic, the prose poem’) that mirror the paths and landscapes of Meridian‘s 270-mile journey.

#5  April. Longbarrow Press takes part in the two-day Modern Nature symposium at The Hepworth (Wakefield). Editor / publisher Brian Lewis opens with a survey of the press’s ‘collaborations’ with urban and rural landscapes over the years; Fay Musselwhite reads and discuss several poems that focus on humans adapting to changes in their environments; and Pete Green considers shifts in affect and scale from the Wordsworthian sublime to the provincial sublime. Other speakers include writer and environmentalist Zakiya Mckenzie (pictured here with Fay Musselwhite, Pete Green, and Brian Lewis) and poet Helen Mort.

And later the clicking of a passing train
along the valley. The skills people have.
The patience they endure.

#6  May.  The publication of Truth, Justice, and the Companionship of Owls, a new collection by Peter Riley (and his first for Longbarrow Press). Appearing less than a year after his two-volume Collected Poems, it is hailed by Billy Mills as ‘a remarkable late flowering for one of England’s most interesting living poets’, and by Linda France as ‘a compelling and persuasive collection’ (in a wide-ranging piece for Poetry Review). Click here to read an extract from Truth, Justice, and the Companionship of Owls.

#7  MayNancy Gaffield and Mark Goodwin present a one-off collaborative performance at the inaugural Sheaf Poetry Festival in Sheffield, drawing on their collections Rock as Gloss and Meridian to create a new work that explore themes of movement and mapping.

The festival is brought to a close by Rob Hindle and Fay Musselwhite, who lead a poetry walk spanning Rivelin Dams and Redmires Reservoir, via the recently rediscovered WWI training trenches at Quarry Hill. The walk begins with a glimpse of the river Rivelin (in its infancy), winding upward and westward through the ‘defensive landscapes’ that mark the boundary of western Sheffield and the Peak District.

#8  June‘Clare demonstrates how the sublime might be reconfigured in terms of both scale and location – from the grandiose to the humble, and from the notable to the obscure.’  Pete Green revisits his contribution to the Modern Nature symposium, and widens the terms of its enquiry for a new post on the Longbarrow Blog. Click here to read ‘The provincial sublime: transcendence and the post-industrial’.

Like this, like light returning from one mirror
to another, we create each other.

#9  September.  The publication of Angelina D’Roza‘s Correspondences, a hand-stitched pamphlet comprising 18 new poems (and her first title since her debut collection Envies the Birds, of which Peter Riley said: ‘There is an urgency of saying in all D’Roza’s work, to speak experience authentically and thereby lead it beyond the subjective, and to bring it to its point, its meaning, which is never reached in an automatic or conventional way.’). Click here to read a sample poem.

#10  OctoberMatthew Clegg and Ray Hearne perform Clegg’s sequence ‘Holodets’ (from Cazique, his third Longbarrow collection), at The Fat Cat, Sheffield, with songs arranged by singer and musician Hearne. This Russia-themed event also features Alistair Noon, giving his first UK reading from Concert at a Railway Station: Selected Poems of Osip Mandelstam (Shearsman). Listen to the full performance of Holodets:

gone one’s gone ground that’s
me: gone

#10  NovemberEmma Bolland, Mark Goodwin and Brian Lewis are among the Featured Poets at the fourth Carlisle Poetry Symposium, a one-day event at Tullie House, Carlisle.

Our thanks to everyone who has supported the press over the last 12 months; we return in 2020 with a new series of projects, publications and events, including titles by J.R. Carpenter and Steve Ely. Further details will be posted in the new year.

Photographs: Emma Bolland, Nikki Clayton, Brian Lewis.
 

 

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Correspondences

Like this, like light returning from one mirror
to another, we create each other.

Longbarrow Press is delighted to announce the publication of Angelina D’Roza‘s new pamphlet. Correspondences is her first title with Longbarrow Press since her debut collection Envies the Birds, and comprises 18 formally varied (and thematically related) poems (including ‘About the Human Voice’). A beautifully produced hand-stitched pamphlet, Correspondences is available now from Longbarrow Press. You can read an extract from the pamphlet here, and order it by clicking on the relevant PayPal link below (major debit cards accepted – no PayPal account required).

Correspondences

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‘There is an urgency of saying in all D’Roza’s work, to speak experience authentically and thereby lead it beyond the subjective, and to bring it to its point, its meaning, which is never reached in an automatic or conventional way.’ Angelina D’Roza‘s Envies the Birds is one of several collections considered by Peter Riley in his regular Poetry Notes feature for The Fortnightly Review; click here to read it. ‘[Meridian is] a kind of requiem, a poem that mourns the passing of the world it is travelling through… Truth, Justice, and the Companionship of Owls represents a remarkable late flowering for one of England’s most interesting living poets’. Nancy Gaffield and Peter Riley’s recent Longbarrow collections are discussed by Billy Mills in a new review; click here to read Mills’s piece (on his Elliptical Movements blog).

Envies the Birds, Meridian and Truth, Justice, and the Companionship of Owls are among the 12 hardbacks featured in our current 3-for-2 special offer (others include Rob Hindle‘s The Grail Roads – Highly Commended in this year’s Forward Prizes – and Mark Goodwin‘s Rock as Gloss – a category finalist for the 2019 Banff Mountain Book Competition). You’ll also receive a free copy of the colour-themed pamphlet The Rose of Temperaments (featuring poems by Angelina D’Roza, A.B. Jackson, Chris Jones, Geraldine Monk, Helen Mort and Alistair Noon). Click here for further details.

‘A poetic journal is meditative and reflective, in the same way that walking is. It doesn’t know where it’s going or how it’s going to get there. It is a physical, emotional and intellectual engagement with the day. Meridian arises from the poetic journal.’ On the Longbarrow Blog, Nancy Gaffield considers the methods of ’embodied research’ that informed the development of her long poem Meridian, and the range of forms (‘the epistolary poem, the acrostic, the prose poem’) that mirror the paths and landscapes of Meridian‘s 270-mile journey. Click here to read ‘Meridian: The Last Step’.  ‘And here we are miniaturised amongst this thisness, focusing in on the grains of grit … Higger is laughing with infinities of grit, and we are laughing with it … ‘ Also on the Longbarrow Blog, Mark Goodwin ascends to the pebbles and boulders of Higger Tor with fellow climber and writer Johnny Dawes (an encounter documented by photographer Nikki Clayton). Click here to read ‘If You Go Up To Higger Today’.

You can find a full range of Longbarrow Press titles at the Manchester Independent Book Fair on Saturday 28 September (12pm – 6pm, admission free). Organised by Dostoyevsky Wannabe, this one-day book fair at the International Anthony Burgess Foundation in Central Manchester brings some of the North’s most innovative artists and presses together under one roof. The fair will include artists’ books, poetry, fiction, art writing, literary criticism, and much more. A not-to-be-missed opportunity to see and buy some beautiful editions, and to meet the publishers and artists involved. Click here for more details. We’ll also be among the stallholders at the inaugural Sheffield Artists’ Book Fair on Saturday 5 October (10.30am – 4.30pm, admission free), with over 50 artist bookmakers and small presses from the UK and overseas filling the exhibition spaces of Kommune and Kurious Arts at Castle House in Sheffield city centre (click here for a location map). The event is part of this year’s Off the Shelf festival programme; you can find further details here. Click here for details of all our forthcoming events.



 

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