Autumn Almanac

I lift a gift of conkers from September,
  Wrapped up in Weston Park, and press and
Savour their cool smoothness and remember
  Twenty autumns back…

“One of the central concerns of Sheffield Almanac is to what extent it’s desirable and indeed possible for a city to be different from other cities in the same modern, developed nation. Since the first edition was published, the Ikea outlet referred to in the first chapter has finally opened and the city centre has grown quieter with the Covid-era closure of many shops and pubs. However, the city’s ineffable gentleness of mood and “warming core of goodwill”, which attracted me to relocate here almost twenty years ago, seem remarkably unaltered.”  Six years after it first appeared in print, Pete Green‘s debut pamphlet Sheffield Almanac is available in a new edition from Longbarrow Press. The second edition features a redesigned cover, and a new afterword by Green. Click here to order the pamphlet.

“Minibus travel is an excellent way to get to know people: a mental zig-zag of free-associating chat, sometimes intense, sometimes light, often punctuated by silent gazing out of the window, or with refreshment breaks in the chaotic bustle of motorway service stations. On the journey south we stopped at the Somerset village of East Coker to discuss T.S. Eliot’s poem of the same name: an opportunity to open doors into poetry’s spiritual potential in the tumultuous modern world.”  In July 2023, a small group of students and lecturers spent four days at Hilfield Friary, Dorset, on a writing and reading retreat, exploring the life, poetry and journals of the poet Gerard Manley Hopkins, with excursions to nearby settlements, hills and cliffs. Matthew Clegg‘s account of the retreat (with photographs by Richi Lyle) reflects on polarization, connection, and the creative writing that developed at the Friary. Click here to read ‘Another Intensity’ on the Longbarrow Blog.

Like this, like light returning from one mirror
to another, we create each other.

Seven years after Envies the Birds appeared to wide acclaim, Longbarrow Press is delighted to announce the publication of The Blue Hour, the second full-length collection by Angelina D’Roza.

“Melancholic, beautifully contemplative poems, fusing binaries of past, present, memory and fiction, temporality and arrested time…”—Ágnes Lehóczky.
The Blue Hour is published as a 96-page hardback on 9 November; click here to order the book (at a special launch price). Click here to read a poem from The Blue Hour.

Finally, Chris Jones has devised and launched The Two-Way Poetry Podcast, a biweekly series of interviews where he speaks to poets about their own creative inspirations and practice. He reflects on the idea that when poets create poems, they are often ‘in conversation’ with other writers’ works. Click here to listen to Chris’s short introduction to the series. The first full podcast is a discussion with the poet Rob Hindle about William Blake’s poem ‘The Sick Rose’ and how it influenced his own ‘The Sick Rose’ (from his Longbarrow Press collection Sapo). Listen to it here.

 

 

Posted in Uncategorized | Leave a comment

Perennials

Longbarrow Press looks back on its seventeenth year of activity with a round-up of the essays, projects and publications of 2022:

#1  January.  ‘An important aspect of creative collaboration is knowing which questions each partner needs to ask of the other, and how to ask them, which can only happen with trust, and an understanding of each other’s practices. The last thing that anyone wants is a book that falls short, for want of time, resourcefulness, or an honest conversation.’  We start the year with a new interview with Brian Lewis (conducted by Sufyan El-Harti for the now-defunct Shreem website), in which he discusses the ad hoc development of Longbarrow Press, the importance of recording on location, and the post-lockdown outlook. Click here to read ‘Zero-cost outlets’.

#2  March.  Longbarrow Press participates in the first in-person States of Independence book fair since 2019; a welcome return for this established fixture of the East Midlands cultural calendar. Thanks to the organisers and volunteers, and to everyone who visited our stall.

#3  May.  Multiple Exposures, a digital pamphlet originating in the Transreading with Longbarrow Press course led by Elżbieta Wójcik-Leese (for the Poetry School), appears online. The pamphlet (designed and edited by Brian Lewis) includes contributions from Nathaniel Chew, Carol Dalton, Hilary Dyer, Sylee Gore, Lydia Harris, Edwin Kelly, Anna Kisby, Agata Maslowska, Dani Salvadori, and Margaret Watson. Click here to read and download the Multiple Exposures PDF. In addition to the work included in the PDF, Sylee Gore and Dani Salvadori have created short film-poems, which can be viewed on this page.

#4  May.

An unrelenting wind, a surface that
you never thought or felt could be this flat;
a land where few horizons might look straighter,
home to Hume’s uniformity of nature…

The publication of Two Verse Essays by Alistair Noon, a pamphlet comprising two long poems that invite us to consider the role of emerging technologies in shaping our experience and understanding of the world (“Essay on Spam”) and the vocabulary with which we chart its coasts (“Glossary on a North Sea Landscape”).

#5  May.  A rare performance of Wealden, a poetry/music collaboration by Nancy Gaffield and The Drift (published as a pamphlet and CD by Longbarrow Press in 2020), at the Church of St Augustine, Brookland, Kent. I wanted to walk the work back into the landscape that it was made of and from and for. I wanted to walk towards the horizon of Wealden without ever quite arriving.‘  An account of the publisher’s journey to Kent unravelled in the wake of the performance, first as an 85-tweet thread, and then as an essay for the Longbarrow Blog. Click here to read ‘Direction of Travel’ by Brian Lewis.

#6  July.  I think it’s my best book. It’s the book I had to dig deepest to write. The book I should’ve written years ago, but didn’t have the resources to pull off.‘  In a wide-ranging interview, Matthew Clegg discusses confidence tricksters, populism, marketing, the Saint Lucian poet Derek Walcott, film noir, urban environments, and the methods employed in crafting his third collection, Cazique. Click here to read ‘The other side of the glass’.

#7  August.  Steve Ely‘s book-length poem The European Eel is shortlisted for the 2022 Laurel Prize (in which it is eventually placed second). The book is featured on Radio 3’s The Verb in January (click here to listen to the relevant episode), gathers favourable notices throughout the year, and is mentioned in David Farrier’s survey of ‘oceanic poetry’ for The Guardian in December. Click here to read ‘The classic ocean poetry taking on troubling new meanings’.

#8  October.  Longbarrow Press joins 60+ artists and publishers from the UK and around the world at the Conway Hall, London, for the first in-person Small Publishers Fair since 2019. Thanks to Helen Mitchell and her team, and to everyone who visited our stall.

#9  OctoberThere was an enrichment, not of wealth or status, an enrichment of time, the civic life. It was common ground on private land. It was sustained by public memory and it sustained public memory.  In a further extract from a work-in-progress that draws on an afternoon’s walk around Sheffield, Brian Lewis considers the legacies, and fates, of the city’s non-essential retail in the final days of the last English lockdown. Click here to read ‘One-Way Mirror’ on the Longbarrow Blog.

#10  October.

A malady is settled over the world
fording seas and people. We walk
or wake through a convalescence,
poorly healed and paranoid.

Four years after The Grail Roads appeared to wide acclaim, Longbarrow Press publishes Sapo, a new collection by Rob Hindle that turns on the sliding, unsettled or ‘slippery’ meanings and etymologies of its title. The book is launched with an in-person event at The Shakespeare, Sheffield, on the coldest night of the year.

#11  December.

as ground
pulls

a flesh
of place

a body
pops 

‘An Otherworth’, a poetry / photography collaboration by Nikki Clayton and Mark Goodwin, appears on the Longbarrow Blog at the year’s end: click here to read it.

 

Our thanks to everyone who has supported the press over the last 12 months; we return in 2023 with a new series of projects, publications and events, including titles by Angelina D’Roza and Helen Tookey. Further details will be posted later in the year.

Photographs: Emma Bolland, J.R. Carpenter, Nikki Clayton, Brian Lewis.

 

 

Posted in Uncategorized | 1 Comment