Longbarrow Press

On Friday 24 and Saturday 25 October, the Small Publishers Fair returns to the Conway Hall in Holborn, London, showcasing the work of over 60 publishers from across the UK and around the world, with an exhibition and a varied programme of readings and talks. Longbarrow Press will be among the stallholders (alongside ​Intergraphia) over the two days of the fair; we’ll have a full range of titles available to browse and buy. The fair is open from 11am to 7pm, with programmes of readings and talks in the afternoons (free, no booking required). Conway Hall, 25 Red Lion Square, Holborn, London, WC1R 4RL. Admission free; all welcome. Click here for more details.

“The Dutch River was a course correction, completed in 1635, an attempt to alleviate the flooding caused by the re-routing of the Don several years earlier. It is still the Don, as it nears the Ouse, the Don turned brackish and tidal, it is more than the Don and less than the Don, all rivers and none.”  In July 2025, Longbarrow Press editor Brian Lewis embarked on a night walk via the waterways of South and East Yorkshire, departing Kirk Sandall at dusk, and arriving in Goole at dawn the next day. Click here to read ‘Dutch River’. “I grasp the top of one of the wooden posts, loosen the stake, and tear it from the soil. Then another. And again. It’s surprisingly easy. When I have cleared a way I stamp on the mesh. Over and over. It crumples like a flag.”  Two months later, Lewis returned to these waterways, extending the route from Leeds to Goole: a journey of forty miles, via the River Aire, the Aire and Calder Navigation, the New Junction Canal and the Dutch River, and all four ridings of Yorkshire. Click here to read ‘Unrecovered Time’.

Daybreak in the wreck of Dogger. Gulls drifting
over the slowly rising sea. Seals hauled out
on sandbanks, bleached ribs of stranded whales.
Dunlin and knot, swarming the mudflats,
armies of silt-spearing godwit and whaup.

Our current Featured Poem is ‘Storegga’ from Steve Ely’s new collection Eely; you can read it here.

“It felt as though the city’s cultural and economic power had been drained, or devolved to the outskirts. It doesn’t feel like that now. There’s a sense of circulation, or flow, and this has as much to do with people as it has to do with places.”
Two poetry readings – one in a former shop, one in a new shop – invite a consideration of Sheffield, its cultural networks, and the question of ‘localism’, as the city remakes itself, suburb by suburb. Click here to read ‘Urban Village’ by Brian Lewis.

Finally, The Two-Way Poetry Podcast, a series of interviews in which poet Chris Jones speaks to poets about their own creative inspirations and practice, is a few weeks into its third season. You can find new (and previous) episodes here.

Click here to browse and buy our current publications.

it steers me north by east
all the way to the end of the land

Longbarrow Press is delighted to announce the publication of To the End of the Land, a new pamphlet and CD by Martin Heslop and Helen Tookey.

The layered histories and complex geography of Nova Scotia – its mountains, mines, lakes and bays – are the settings of this collaborative text and sound work. To the End of the Land investigates this remarkable landscape, and draws out the voices – under the seabed, under the storm – that animate it all.

Developed during a residency at the Elizabeth Bishop House, in Nova Scotia, Canada, To the End of the Land is a sequence of poems – presented as texts, and also embedded in sound compositions – in which past, present and future slide across each other. The book, and accompanying album, is a speculative poetic narrative in which two people (who may or may not be occupying the same reality) move through spaces that are grounded in the real landscapes of Nova Scotia, but are at the same time imagined or dreamlike. All of the sounds used in the audio tracks were recorded by Martin and Helen while they were in Nova Scotia and then altered and remixed to build up compositions that weave around the words. The tracks also feature fragments of Gaelic songs, from the sound archive at Cape Breton University, Canada.

To the End of the Land
28-page pamphlet and 40-minute CD
£12

UK orders (+ £1.80 postage)

Europe orders (+ £5.25 postage)

Rest of World orders (+ £7.75 postage)

You can order the pamphlet and CD by clicking on the relevant PayPal button above. Click here to read an extract from the collaboration.

“Those places are so resonant, they speak of the past, but that inevitably makes you think of the future – the place from which our here-and-now will be the past. It’s as though you’re able to stand outside the present and see yourself as a kind of ghost, no different from the ghosts of the miners or the boat-builders who lived there…”  Martin Heslop and Helen Tookey reflect on the making of To the End of the Land in an interview conducted earlier this month, in which they discuss the origins of the collaboration, their approach to the residency, and their responses to the landscapes of Nova Scotia. Click here to read ‘On the Air’.

“A book is a record of process, or processes: textual, temporal, material. It is made out of the world and it makes its own world and it makes its way through the world. Each of these worlds is imperfect. Nevertheless, the possible book shows me that another world is possible.”  Longbarrow Press was launched at The Red Deer, Sheffield, on 27 April 2006. In ‘Inventory’, editor Brian Lewis opens the archives and reckons with nineteen years of publishing activity. You can read it here.

“After thirty years of dereliction, Thorpe Marsh is like a microcosmic version of the Chernobyl Exclusion Zone. Ponds and thickets have developed across the site; the vast ash dump has completely flooded and become boggy forest and outright marsh. The six two-hundred-yard long settling ponds are transformed to swamp; the car park is a willow forest.”  On 19 April, Steve Ely led a peripatetic workshop at Thorpe Marsh, a former coal-fired power station in the flatlands north of Doncaster. His account of this collaborative ramble appears in a new post on the Longbarrow Blog. Click here to read ‘Thorpe Marsh Apocalypse’. ‘Debris Field’, an accompanying photo-essay by Brian Lewis, appears here.

“Swifts have lived here a lot longer than we have. Once I saw we shared a house with swifts, my attitude toward the place I inhabited, our home, changed for good.” Between May and August, Chris Jones is posting extracts from the ‘swift diaries’ he kept in 2021 and 2024, alongside passages from his 2025 diary. Click here to read the weekly posts on Substack. Chris is one of seven Longbarrow poets who will be taking part in a special event at Novel Bookshop in Crookes, Sheffield, on Wednesday 16 July; the other readers are James Caruth, Matthew Clegg, Angelina D’Roza, Steve Ely, Pete Green and Fay Musselwhite. The event is free, but places are limited: please click here to reserve your place on Eventbrite. A range of Longbarrow hardbacks will be available to purchase on the evening; you can also browse and buy our titles here.